Sunday, April 7, 2019

How A Live Event Production Company Works

By Sarah Reed


When it comes to producing concerts and other events, there are different ways in which to do so. In most cases, a live event production company takes care of most of the work. As such, this article provides information on the tools and techniques used to produce such an event.

Whether producing a theatrical show, large concert, live band, ballet, modern dance or operatic performance, there are a lot that goes into creating a successful event. For example, most events require costuming and make-up communications, sound, packaging, transport, special effects, staging and other work. Whether self promoting an event or hiring a production company, a lot of work goes into promoting and producing a successful event.

Live music and theater have a long history of sound and visual presentations. While video is more recent than sound, both are often required in live productions. Both technologies began with the first talking film, though sound has been around much longer than video presentations shown during concerts and laser light shows.

Sound reinforcement has been around for quite some time. A professional sound reinforcement system is a professional audio system. The first system to be developed in this regard was in 1927 for a movie theater when the first talking film, the Jazz Singer was originally released. After which, the first outdoor public address system became first large-scale sound system in history.

Bill Graham assisted the historic Fillmore in San Francisco, California when a sound system was needed which could be changed out quickly. During that time, Bill Graham also founded FM productions, one of the first producers of concerts of live performances in the area. The production company became very popular with musicians involved in the Bay Area music scene, including the Grateful Dead.

By 1976, the production company and musicians in San Francisco were embroiled in a debate over different types of sound equipment. For, some thought the horn loaded enclosures were best while others thought arrays or distributed arrays worked better. In any case, most bands went on to create individual sound systems whether provided by band management or a local productions company.

The production companies in existence today have a lot more going for them than those in the beginning days of live productions. For, there are now basic standard policies and procedures which most of these companies agree are the best in the business. While this is the case, there are also a number independent production outfits whom follow the original stylings of Bill Graham productions.

Bill Graham was a concert promoter from the 1960s until 1991 at which time a helicopter crash took the promoter's life. As a child, the promoter escaped the Nazi invasion in Germany when being sent to France. After which, the young boy became a foster child living in Bronx, New York.

After having graduated from high school, then college with a degree in business, a young Bill Graham relocated to San Francisco in the 1960s. Graham's first job as promoter was for a group of comics known as the San Francisco Mime Troupe. Later, Bill became involved in promoting live bands and large concerts.




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