Wednesday, April 24, 2019

On Hiring Disc Jockeys Or DJs

By Carol Brown


What better way to make the party crowds grow wild than with the topnotch skills of the DJ. With their technical knowhow and creative artistry, disc jockeys are indeed your main men. From all the loops and tricks in scratching, break beating, punch phrasing, and looping, check out these rhode island djs.

Of course, DJs are not just limited to parties and clubbing get together. Most quintessentially, you can also hear them from the airwaves as radio personalities who broadcast music in radio stations, FM, AM, digital, and even over the Internet. You likewise have the club DJs who play at musical events, parties, festivals, private events, or specific venues.

Technicalities are actually rife in this field. Disc jockeys are given to using a smorgasbord of equipment, devices, and tools. Long ago, it used to be gramophone records and cassettes. Nowadays, however, theres a whole host of new software and technology that are even more innovated than ever before, from digital audio files, specialized laptops, you name it.

It really says something about this enterprise that the tagline DJ has come to be such a rarified one. They are cool monikers and pseudonyms to wave around. This field is also on the fast track of being more recognized. For instance, it is now common for DJs to be placed on the title track as a featured or credited artist in the production of the song.

The equipment used in this regard are pretty much considerable. Conventionally, you have the turntables and mixers. And then you have specialized CD players that can play digital files from USBs, SD cards, and other flash drives. Software is also more specialized nowadays, and these can be played out on portable laptops, tablets, smartphones, and other hardware.

When looking for a DJ, you would want to make sure that he knows his beats. This basic, fundamental, elementary, and principal thing is what ensures that the smooth transitions of the songs. Some equipment, especially mixers, are equipped with a BPM console. But nothing beats having knowhow of the beats per minute oneself.

In this enterprise, the equipment is more important than just about anything else. The quality of which will surely impinge on your performance and perceived skill. For example, there is an audio mixer, which is replete with cue and crossfader functions. The latter is what makes it possible to smoothly transition from one song to another. The former, on the other hand, is what allows the jockey to listen to recorded music through their headphones, totally upping the sync technology.

There are a few basics that need reiterating and reminding. For instance, one should take good care not to mix to vocal songs together. That will create an awkward and cacophonous noise. There is also a need to develop your own feel and sound. This involves quite a lot of practice and experimentation. One should explore different sounds, tools, and others. Add effects and some such tasteful blending.

All in all, DJs must be well clued in with all the techniques used in the enterprise. From equalization, audio mixing, and cueing, they should be competitive enough to learn them. They will have to be clued in a wide range of creative and newfangled techniques, boiling down to a smooth and pleasant transition. Some techniques they should learn include beat juggling, back spinning, beat matching, needle dropping, scratching, slip cueing, phrasing, looping, and harmonic mixing. It would be great if they have familiarized themselves with common genres, from hip hop, trance, house, techno, electro, hardcore, hardstyle, dubstep, drum and bass, breakbeat, glitch, dark alternative, jungle, and downtempo.




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