Monday, March 24, 2014

The Archetypal Renaissance Man Contenders

By Darren Hartley


Two of the most influential works in fresco in Western art history are Michelangelo paintings. They are renowned regardless of the low opinion of painting Michelangelo has. These works are the Genesis scenes found on the Sistine chapel ceiling and the Last Judgment painting on the Sistine Chapel altar wall. The Sistine chapel is found in Rome.

An Italian Renaissance painter, sculptor, architect, poet and engineer, Michelangelo di Lodovico Buonarroti Simon is also famous for two sculptures, aside from his Michelangelo paintings, These sculptures, completed before he turned thirty, are the Pieta and the David.

In his design of the dome for the Roman St. Peter's Basilica, Michelangelo used plaster as his main ingredient. In doing this, he started a classical architectural revolution.

The Michelangelo sketches are among the earliest of Michelangelo paintings. The volume of these surviving sketches, together with correspondences and reminiscences, make Michelangelo the best documented artist from the 16th century.

Michelangelo has been considered for the title of archetypal Renaissance man based on his versatility in the disciplines of the highest order. His fellow Italian and rival, Leonardo da Vinci is his sole competitor for the title. Despite making only a low number of forays beyond the arts, Michelangelo was still able to acquire this discipline versatility. The Renaissance man represents a person whose seeming endless curiosity is matched only by his inventive skills.

Among the most famous, most reproduced and most parodied portrait and religious paintings of all time are the Mona Lisa and The Last Supper, two Da Vinci paintings and the Creation of Adam, one of many Michelangelo paintings. They occupy that unique position in the art world.

Primarily known for his Da Vinci Paintings, Leonardo di ser Piero da Vinci was not only a painter but also an Italian polymath, being a scientist, mathematician, engineer, inventor, anatomist, sculptor, architect, botanist, musician and writer, in various stages of his life.

Other than his iconic Vitruvian Man drawing, only 15 Da Vinci paintings were able to survive the passing of the centuries. This phenomenon, though largely due to Leonardo's persistent and more often than not disastrous experimentation with new techniques, is also attributable to his chronic procrastination of his own accomplishments.

As far as contributions to later generations of artist, Da Vinci and Michelangelo find themselves rivalling one another once again. As far as Da Vinci is concerned, his contribution consists of the surviving Da Vinci paintings, together with his notebooks of drawings, scientific diagrams and personal insights on the nature of painting.

It was after studying in the studio of a renowned Florentine painter, that the earlier Da Vinci paintings came to life. The painter we owed this debt to is Verrocchio.




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