Art has always been a great way to chronicle the culture of man. Different styles and techniques have been used throughout history and its use has continued to be relevant for millennia. Techniques are as interesting as the subjects artists choose because this gives viewers a good impression on what motivates the culture of each era.
Venus was a favorite subject especially when portraying nudes. Another notable thing with traditional art is how they are so incredibly life like. Pieces made during this time barely showed brush strokes even when painting using oil, which is a very thick medium. Manet was that one artist that defied all things traditional with his oil painting Olympia.
When it comes to technicalities this piece is not particularly the best reference. But what makes it one that deserves eternal praise is how it stroke a cord among art critics at the time. It was seen as mockery instead of art. The beauty of the artwork in question did not revel in how attractive the subject was rendered but how the whole concept is an honest slap of the imperfections of human beauty at the face of 1865 France.
The woman on the canvas was not Venus, but a parodied symbolism named Olympia. Based on what she was wearing, slippers and a black choker, this tells you that she is a courtesan. The most ironic thing you can use to portray a goddess would be a prostitute. Maybe even then people thought the concept was offensive and sacrilegious.
Now you may think this chick was your run off the mill girl, but as you can see she had a servant. This entails that the subject was of a higher position in the job that she holds. The servant also holds a bouquet which seemingly comes from a patron. What shocked people during the era when this work was released was how vulgar the piece was.
It gives you the impression that this era of France was hung up on the convoluted perception of beauty and the standard was that of royalty or deity. One thing that makes the subject stand out is how it deliberately stares at you, straight in the eye, as if it was coaxing you for looking at her. Most nudes of Venus made during this time always had the subject looking away, if even at all.
The piece at most is an honest portrayal of current state of events during the time. While most traditional late Renaissance works are focused on blurring the lines between realistic imagery, Manet made it a point for viewers to identify that this is a painting and not a means of escape from horrid realities that you get to see outside the gallery.
The piece is a cross between abstraction and tradition which encouraged modern art. There was lesser pressure to perfection. This is evident on the asymmetry of features you can see on the subject. The detail is essentially on the hands and the feet which seems peculiar, instead of focusing on the bosom and the womb.
Just like anything unconventional, Olympia was met with jeers, laughter and so much criticism. Manet was as much a painter as he was a revolutionist. His honesty regarding aesthetic and his personal interpretation of beauty was bold and this shook the art community of 1865 France. This artworks is one of many pieces reminding people that a single act of revolt as non violent as an image on a canvas can turn the world.
Venus was a favorite subject especially when portraying nudes. Another notable thing with traditional art is how they are so incredibly life like. Pieces made during this time barely showed brush strokes even when painting using oil, which is a very thick medium. Manet was that one artist that defied all things traditional with his oil painting Olympia.
When it comes to technicalities this piece is not particularly the best reference. But what makes it one that deserves eternal praise is how it stroke a cord among art critics at the time. It was seen as mockery instead of art. The beauty of the artwork in question did not revel in how attractive the subject was rendered but how the whole concept is an honest slap of the imperfections of human beauty at the face of 1865 France.
The woman on the canvas was not Venus, but a parodied symbolism named Olympia. Based on what she was wearing, slippers and a black choker, this tells you that she is a courtesan. The most ironic thing you can use to portray a goddess would be a prostitute. Maybe even then people thought the concept was offensive and sacrilegious.
Now you may think this chick was your run off the mill girl, but as you can see she had a servant. This entails that the subject was of a higher position in the job that she holds. The servant also holds a bouquet which seemingly comes from a patron. What shocked people during the era when this work was released was how vulgar the piece was.
It gives you the impression that this era of France was hung up on the convoluted perception of beauty and the standard was that of royalty or deity. One thing that makes the subject stand out is how it deliberately stares at you, straight in the eye, as if it was coaxing you for looking at her. Most nudes of Venus made during this time always had the subject looking away, if even at all.
The piece at most is an honest portrayal of current state of events during the time. While most traditional late Renaissance works are focused on blurring the lines between realistic imagery, Manet made it a point for viewers to identify that this is a painting and not a means of escape from horrid realities that you get to see outside the gallery.
The piece is a cross between abstraction and tradition which encouraged modern art. There was lesser pressure to perfection. This is evident on the asymmetry of features you can see on the subject. The detail is essentially on the hands and the feet which seems peculiar, instead of focusing on the bosom and the womb.
Just like anything unconventional, Olympia was met with jeers, laughter and so much criticism. Manet was as much a painter as he was a revolutionist. His honesty regarding aesthetic and his personal interpretation of beauty was bold and this shook the art community of 1865 France. This artworks is one of many pieces reminding people that a single act of revolt as non violent as an image on a canvas can turn the world.
About the Author:
When you are looking for the facts about oil painting Olympia residents can visit our web pages here. More details are available at http://www.horseshoepines.com now.
No comments:
Post a Comment