There is beauty in art and there is art in a portrait that was originally from a photo itself. But it is not easy to engage in this nor will it be easy to learn it. But everything can be perfected with practice. As such, we shall discuss how to do it first. We are going to teach you Hand Painted Portraits from Photos.
Decide on a photo that fits your style and your selection of colors. It also cannot hurt to go for one that has a nice range of dark and light. Your subject should pop out from its background and has nice highlights that go with it to make it easy.
Sketch the lines and include its highlights for more detail later. You can use your projector to get the proportions right if you are not adept or comfortable drawing by hand. After that lay out all your colors that you will use for your portrait. For most skin tones, use burnt umber, yellow ochre, alizarin crimson, titanium white and french ultramarine. Those will be what you will need the most.
Next is starting with its eyes. Fill the whites inside the eyes before everything else since it is very dire to discern that those are not really white all of the time. There are shadows or variations on is white parts. Also, block your shadows. Blocking in all the darks help get a sort of feel for its shapes on the face.
Add mid-tone colors to your portrait. Generally, you would want to work starting from dark then to light. While you try to block in those mid tones you shall see a face about to take some shape. Remember that lips are skin tone and they are almost never just the color red. Paint some light colors on the top and avoid using plain white.
Add details through the entire portrait. You have already covered the basic values be blocked in so next is to have fun with tones and do try to make some adjustments. Think of the contrast when finishing this step and attach the lights and the darks where they are needed.
Hair is prioritized next. Brunette hair is tricky sometimes so do not just addburnt umber to white to get some light brown because it will only turn gray. Lessen the use of white and black to make your colors more realistic and vibrant. Try using ultramarineand a bit of umber for its darkest parts and yellow plus crimson for the light strands.
For the finishing touches, add the bright light in its eyes of your subject. Do the same for the rights side or left side of its nose and a bit of illuminated strands of its hair. These itty bitty touches do not take that much of your time and they very much really help in finishing your painting.
Your background should be last. Put colors that cannot match your subject to add contrast and so they mix well together. If you are done, view your work. The first ones do not always turn out great but practice can get you going. After all, the saying is Practice Makes Perfect.
Decide on a photo that fits your style and your selection of colors. It also cannot hurt to go for one that has a nice range of dark and light. Your subject should pop out from its background and has nice highlights that go with it to make it easy.
Sketch the lines and include its highlights for more detail later. You can use your projector to get the proportions right if you are not adept or comfortable drawing by hand. After that lay out all your colors that you will use for your portrait. For most skin tones, use burnt umber, yellow ochre, alizarin crimson, titanium white and french ultramarine. Those will be what you will need the most.
Next is starting with its eyes. Fill the whites inside the eyes before everything else since it is very dire to discern that those are not really white all of the time. There are shadows or variations on is white parts. Also, block your shadows. Blocking in all the darks help get a sort of feel for its shapes on the face.
Add mid-tone colors to your portrait. Generally, you would want to work starting from dark then to light. While you try to block in those mid tones you shall see a face about to take some shape. Remember that lips are skin tone and they are almost never just the color red. Paint some light colors on the top and avoid using plain white.
Add details through the entire portrait. You have already covered the basic values be blocked in so next is to have fun with tones and do try to make some adjustments. Think of the contrast when finishing this step and attach the lights and the darks where they are needed.
Hair is prioritized next. Brunette hair is tricky sometimes so do not just addburnt umber to white to get some light brown because it will only turn gray. Lessen the use of white and black to make your colors more realistic and vibrant. Try using ultramarineand a bit of umber for its darkest parts and yellow plus crimson for the light strands.
For the finishing touches, add the bright light in its eyes of your subject. Do the same for the rights side or left side of its nose and a bit of illuminated strands of its hair. These itty bitty touches do not take that much of your time and they very much really help in finishing your painting.
Your background should be last. Put colors that cannot match your subject to add contrast and so they mix well together. If you are done, view your work. The first ones do not always turn out great but practice can get you going. After all, the saying is Practice Makes Perfect.
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