Friday, September 28, 2012

Significant Details About 1980 Graffiti

By Rashad Brown


In the beginning of the 1980's, there were two important occurrences that would leave a lasting impact on graffiti art. The very first such occurrence happened in June 1980 at the Times Square Show. And also the year included the publication on an essential write-up about graffiti.

The Times Square Show of 1980 was the very first opportunity that was given to emerging graffiti artists to exhibit their art alongside far more established graffiti artists. It helped to establish some people's careers as graffiti artists.

One of the most notable contacts was that among Keith Haring and Fred Brathwaite (Brathwaite began to be called 'Fab Five Freddy'. Our students may recognize this name as the name of the person who hosts 'Yo! MTV Raps!').

Haring began making the incredible graffiti art that created him famous after the Times Square Show. Within the subway technique hallways and passages, Haring produced his graffiti utilizing white chalk on black paper that was placed on best off the old poster ads to conceal them.

Remarkably, given the authority's stance on graffiti, Haring's graffiti pieces inside the subway hallways were rarely removed by the cleaners. This was since his work was pleasing and significantly appreciated.

The other main event which was to occur in 1980 happened in December. Richard Goldstein, author of the first pro-graffiti story in a brand new York magazine in 1973, wrote an extensive article within the Village Voice on new graffiti writers. This article was important for two reasons.

Initial, Goldstein countered the myth that graffiti writers were an antisocial element. Goldstein felt that many of the graffiti artists who wrote on subway walls and tenement halls were bright individuals who had been just expressing themselves in the environment in which they lived.

Second and most significant, Goldstein in this write-up was the very first to link graffiti and rap music together. His assumption that graffiti and rap music originated from exactly the same cultural conditions was a valid assumption.

His point is further confirmed by the truth that many graffiti writers also became rap artists. These artists were important and played a large role in the development of the rap market. Fred Brathwaite was 1 such graffiti and rap artist.




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