The sculptures is one of fine arts. Unlike paint, which creates a plan -a fictional space of two dimensions-, sculptures does a flat or three-dimensional relief exempt, using real space. The sculptor acts on different materials transformed by carving and modeling processes, which are traditional methods (aluminum wall sculpture).
Using different combinations of materials and media has created a new artistic repertoire includes processes such as assembly and constructivism. In a generic sense, the term plastic sculptures artwork made by sculptor. Since ancient times, man has had the need to carve. At first he did with the simplest materials and had to hand: the stone, clay and wood; then use iron, bronze, lead, wax, plaster, clay, polyester resin and plastics reinforced fiberglass, concrete, kinetic and light reflection, among other.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
Etruscan sculptures (BC-IX century BC) derived from Greek art, but also works were realized with characteristics. The status linked to funeral contexts is far more Etruscan production abundant; the material of choice, as a rule, was the terracotta, as infamous Sarcophagus ofSpouses. Later, Roman sculptures was influenced by the Etruscan and Greek and Roman artists reached make numerous copies of Greek works.
Notably commemorative sculptures such as the Column of Trajan (114), which narrates several battles in a continuous spiral that covers the entire surface of column, or the Equestrian Statue of Marcus Aurelius.
Giambologna is presented in its sculptures as The Rape ofSabine Women, the style of Mannerism. At the end of Cinquecento, sculptors tried lengthening the figures showing the proportions and put some artificial opposite -women and men, old age and youth, beauty and lletgesa- and the sinuous forms of (serpentinata), a sort of tumbling figures and sculptures.
These characteristics of Ottonian art small sculptures in bronze and ivory which s' added inlaid gemstones. Also bronze doors of St. Michael's Church, Hildesheim, work related to Carolingian art and Byzantine art. It should be noted, moreover, the images of wood covered with gold is used as a reliquary: among these highlights Gero Crucifix (tenth century), polychrome wood, which is located in Cologne Cathedral.
During this period, production religious sculptures in Spain is amazing sculptures for interiors of churches, facades, and private devotions for Easter; emerged two schools: the Spanish and Andalusian. Among the sculptors can stand Gregorio Fernandez, Juan Martinez Montanes, Francisco Salzillo, Pedro de Mena and Alonso Cano. Inmid-eighteenth century, Winckelmann guidelines of "good taste in food sources and direct the example ofworks ofGreeks" made many artists devoted to copy instead of imitating; Neoclassicism came.
Using different combinations of materials and media has created a new artistic repertoire includes processes such as assembly and constructivism. In a generic sense, the term plastic sculptures artwork made by sculptor. Since ancient times, man has had the need to carve. At first he did with the simplest materials and had to hand: the stone, clay and wood; then use iron, bronze, lead, wax, plaster, clay, polyester resin and plastics reinforced fiberglass, concrete, kinetic and light reflection, among other.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
Etruscan sculptures (BC-IX century BC) derived from Greek art, but also works were realized with characteristics. The status linked to funeral contexts is far more Etruscan production abundant; the material of choice, as a rule, was the terracotta, as infamous Sarcophagus ofSpouses. Later, Roman sculptures was influenced by the Etruscan and Greek and Roman artists reached make numerous copies of Greek works.
Notably commemorative sculptures such as the Column of Trajan (114), which narrates several battles in a continuous spiral that covers the entire surface of column, or the Equestrian Statue of Marcus Aurelius.
Giambologna is presented in its sculptures as The Rape ofSabine Women, the style of Mannerism. At the end of Cinquecento, sculptors tried lengthening the figures showing the proportions and put some artificial opposite -women and men, old age and youth, beauty and lletgesa- and the sinuous forms of (serpentinata), a sort of tumbling figures and sculptures.
These characteristics of Ottonian art small sculptures in bronze and ivory which s' added inlaid gemstones. Also bronze doors of St. Michael's Church, Hildesheim, work related to Carolingian art and Byzantine art. It should be noted, moreover, the images of wood covered with gold is used as a reliquary: among these highlights Gero Crucifix (tenth century), polychrome wood, which is located in Cologne Cathedral.
During this period, production religious sculptures in Spain is amazing sculptures for interiors of churches, facades, and private devotions for Easter; emerged two schools: the Spanish and Andalusian. Among the sculptors can stand Gregorio Fernandez, Juan Martinez Montanes, Francisco Salzillo, Pedro de Mena and Alonso Cano. Inmid-eighteenth century, Winckelmann guidelines of "good taste in food sources and direct the example ofworks ofGreeks" made many artists devoted to copy instead of imitating; Neoclassicism came.
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